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EFFECTS & SIGNAL PROCESSORS · 1990
REX50
Yamaha
Manufacturer
Yamaha
Type
Effects & Signal Processors
Production
1990
Orig. price
$49,800
01
From the Community
From the community
No conversations about the REX50 yet — own one or know it well? Ask the first question, share a fix, or post your unit.
02
Document Library
Manuals
2Service & Technical
1Press & Media
103
Audio Demos
04
Compatible Sound ROMs
05
EPROM Archive
Yamaha Rex50
V1.2os·BE42F8870
06
Modifications
07
Owner Registry
Production figures for the REX50 were never widely published, so there’s no official record of how many were built — or how many survive. This registry is a community census: every owner who logs their unit makes it the closest thing there is to a real count.
0units registered
0 serials recorded
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08
System Components
CONTENTS
01From the Community02Document Library03Audio Demos04Compatible Sound ROMs05EPROM Archive06Modifications07Owner Registry08System ComponentsManufacturer
Yamaha
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Specifications
- year
- 1990
- price
- ¥49,800
- category
- Effects
- features
- Reverb: state-of-the-art digital technology reproduces the acoustic reflections of various environments. Other reverb effects include early reflection, gate reverb, and revers gate.,Delay and echo: independently programmable right and left channel delay and echo effects with adjustable feedback allow creation of a broad spectrum of delay effects.,Distortion: an extremely powerful and flexible distortion effect, by itself or with other reverb, delay, and modulation effects – making the REX50 essentially two effects units in one.,Modulation: the expressive capability of the popular modulation effects (Stereo Flange, Chorus, Stereo Phasing, and Symphonic) are all here as well, with the added flexibility of a wide programming range.,Gate: a high-performance noise gate with a fully programmable ADR envelope. Extensive triggering functions enable creation of an incredible range of unique sounds.,Compressor: compression can be used to sustain sounds (such as a guitar), or smooth out the volume extremes of particularly dynamic sounds (such as vocals).
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